Dry docked and
land locked
in the Marafi
hill side,
old Mr. Minas
tends his monsastery
of pigeon roosts
in monks beds
and shrines.
Around the church
orbits monastic decay,
the beds and
roses of his care
crumbling away
around him
as the sun glints
on his shell coated belt
and baseball
cap.
Circling him,
the instruments of his musical life
are lain out
neatly on his bed,
his old monk's
room itself
a sea of different
hats
and hand made
flutes.
The kittens he
cares for
prance around
the church,
chasing shadows
and ghosts
reflecting on
the last pieces of fresco
whose peelings
scale the walls
between the painted-on
stone blocks
and marbling.
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Icon old and
new he asks for a picture
of the three
saintly men painted,
and takes mine
by the tree that grows
from inside the
courtyard out
toward the midday
sun.
"My wife - kaput!"
he says
and days now
spent in hope
some new "big
mama" will pass by
and drive him
forth and back to town.
Old Mr. Minas
guards this ancient tomb
from 1427 on,
and relishes the barricaded door
and its letterbox
above
through which
would pour
boiling oil
waiting for some
medival postman's knock.
There I was, lost
looking for some mines
and finding
this old man's
head appearing
from the vacant
building's window top
peering down
at me, in the
midday sun.
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His story one
of many told,
of having worked
the world,
from Macedonia
to Canada
picking up along
the way
this "stupid
fuckin'" english
as he went,
to share it with
me
as we share a
beer.
"Stupid fuckin'
caves easy to fuckin' find"
he says,
showing me a
photo
of a ruin
back down the
dry river bed
an even more
dillapidated shrine
where once were
mined
other legends
of Parian marble gold.
1/7/02
(Marafi)
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