Dry docked and
land locked
 in the Marafi
hill side,
 old Mr. Minas
tends his monsastery
 of pigeon roosts
 in monks beds
and shrines.
Around the church
orbits monastic decay,
 the beds and
roses of his care
 crumbling away
 around him
 as the sun glints
on his shell coated belt
 and baseball
cap.
 Circling him,
the instruments of his musical life
 are lain out
neatly on his bed,
 his old monk's
room itself
 a sea of different
hats
 and hand made
flutes.
 The kittens he
cares for
 prance around
the church,
 chasing shadows
and ghosts
 reflecting on
the last pieces of fresco
 whose peelings
scale the walls
 between the painted-on
stone blocks
 and marbling.
    | 
Icon old and
new he asks for a picture
 of the three
saintly men painted,
 and takes mine
by the tree that grows
 from inside the
courtyard out
 toward the midday
sun.
"My wife - kaput!"
 he says
 and days now
spent in hope
 some new "big
mama" will pass by
 and drive him
forth and back to town.
 Old Mr. Minas
guards this ancient tomb
 from 1427 on,
and relishes the barricaded door
 and its letterbox
above 
 through which
would pour
 boiling oil
 waiting for some
medival postman's knock.
 There I was, lost
looking for some mines
 and finding
 this old man's
head appearing 
 from the vacant
building's window top
 peering down
 at me, in the
midday sun.
    | 
His story one
of many told,
 of having worked
the world,
 from Macedonia
to Canada
 picking up along
the way
 this "stupid
fuckin'" english
 as he went,
 to share it with
me
 as we share a
beer.
"Stupid fuckin'
caves easy to fuckin' find"
 he says,
 showing me a
photo
 of a ruin 
 back down the
dry river bed 
 an even more
dillapidated shrine
 where once were
mined
 other legends
of Parian marble gold.
  
  
  
  
  
  
  
  
 1/7/02
(Marafi) 
 |