RUNNING FORMATIONS
i like to feel that i am in possession of my city
Amy Feneck has been working with a group of runners belonging to the
women's only jogging
network, which has members and meeting places across Glasgow.
Through meeting, running and talking with the women, learning
their local knowledge of the city, their reasons, motivations and
experiences of running, Amy became interested in how the network formed an
alternative, flexible structure operating formally and informally
throughout particular areas of the city.
As an outcome to her residency at the CCA, Glasgow, and in
collaboration with some of the runners from the network, Amy has developed
a running route from the outskirts of the city towards
the periphery of its centre.
With starting points at Castlemilk
(South)
and Springburn (North), the runners will simultaneously
run along the route, only stopping when the two groups
meet.
This event will happen on the 7th April 2008, further information and
documentation of the project will be available after this date
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Central to Fenecks interest is the conflict between collective activity
and autonomy. The running group can be seen as having both attributes;
collective in its action of perpetual, repetitive motion, unified towards
meeting its shared goal of completing the designated route. Unified
further through the simultaneous action of the partner group. Yet within
this collective group, temporary sub groups and hierarchies develop, based
on physical fitness levels and socializing preferences; who to run with,
who to pace yourself with, who to talk to.
In a wider context, the running group can be further seen as acting
autonomously, using the action of running as a self-governing rule to
create a visual mark against the urban backdrop.
Feneck explores the conflict between collective and autonomous action
in a further arm of the project. In line with the designated running
routes, a fly poster will be anonymously distributed throughout the city.
The poster displays a single piece of text recounting a personal
experience of running from one of the runners Feneck interviewed during
her residency.
The act of fly posting, where an image or text temporarily marks the
architecture and urban landscape, parallels the transitory presence of the
runner in the city, unifying both activities, each acting as realizations
of the urge to mark or connect with the landscape in which we find
ourselves.
In the context of Amy Feneck's continued research into the use of
public
and private space, both the choreographed run and the placement of posters
can be seen as attempts at occupying urban space, claiming use and
ownership of the built environment.